It’s About Damn Time Blumhouse Hired Their First Female Feature Director: Sophia Takal, for a Black Christmas Remake

After releasing over 40 films and cementing themselves as the new home for horror, Blumhouse Productions is finally making a feature film with a female director. Sophia Takal (Green, Always Shine) will helm a reboot of Black Christmas. The 1974 Bob Clark slasher film follows a group of sorority girls over the holidays, where they are stalked by a mysterious killer.

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Feminist Filmmakers Are Reinventing Horror Cinema

Early physicians who did not understand female anatomy routinely used ‘female hysteria’ as a potent weapon against women to institutionalize them for illnesses they never had. It wasn’t until the 1950s that the American Psychiatric Association rescinded the usage of the term “hysteria” — from hystera, the Greek word for uterus — as a medical diagnosis. But, “crazy,” “neurotic,” “psychopathic” are still acceptable adjectives to describe women who don’t conform to social norms. These perceptions have wormed their way into mainstream media and inspired cinema, especially the horror genre.

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Slashed Beauty: On Female Masks in The Skin I Live In, Eyes Without a Face, and Under the Skin

Sometime between 1780 and 1782, the Italian artist Clemente Susini created the first Anatomical Venus: A life-sized, nude, wax woman, with human hair brushed down over her shoulders, a pearl necklace clasped around her neck, and her lips permanently parted. Students of anatomy could unhook the hinge along her torso and swing the skin-colored door out to reveal seven articulated layers of plasticine organs. Here was an alternative to dissecting corpses. Instead of decaying flesh, a beautiful facsimile of a woman with pieces you could remove, threaded muscle around bone, and a stone-sized fetus tucked into the bottom layer.

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Original ‘Pet Sematary’ director Mary Lambert on Madonna and Stephen King meetings at Denny’s

petsemetary

In 1989 director Mary Lambert brought Stephen King’s celebrated bestseller “Pet Sematary” to the big screen, spinning its tragic tale of grief gone wrong into a box-office hit that cemented a terrifying toddler, a cat named Church and lines like, “Sometimes dead is better” into the annals of horror history.

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A Queen of Ice and Fire: Celebrating the Many Characters of Lena Headey

Judge Dredd Still Image

For the past eight years, actress Lena Headey has been intertwined with her character on Game of Thrones; the icy and ruthless Cersei Lannister. Easily one of televisions most hated characters of all time, Headey still brought humanity and depth to her character, making her greater than what could’ve easily been a caricature of a villain. A fiercely protective mother and a tragic past made her the most dangerous character in Westeros. Cersei is a wild card in the upcoming final episodes of the popular series, and so is Headey’s bright future after. Her lengthy list of credits has brought a wealth of characters made more unforgettable by her range and versatility. While we wait for the final episodes to arrive, we look back at some Headey’s best roles in genre and genre adjacent film. These characters were improved by her performances, all standouts even if them (sic) films themselves weren’t quite as memorable.

Read More: A Queen of Ice and Fire: Celebrating the Many Characters of Lena Headey – Bloody Disgusting

Death Becomes Her: The Best Cult Camp Film of the 1990s

It’s not often you see a zombified Meryl Streep and Goldie Hawn going head-to-head in immortal combat with the shovels meant to dig their own graves. Unless you are watching Death Becomes Her (1992), that is. Directed by Robert Zemeckis, the achingly camp black comedy chronicles Streep and Hawn as Madeleine Ashton, a fading actress, and Helen Sharp, an aspiring writer, as two frenemies battling over the affections of plastic surgeon Dr. Ernest Menville (played by Bruce Willis, as a nebbish shadow of his former self). When Madeline steals Dr. Menville from Helen, taking him as her husband, Sharp vows to exact vengeance on her rival, and simultaneously gives a whole a new definition to the idiom ‘hell hath no fury like a woman scorned’.

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How Women in Horror Movies Keep Us Coming Back For More

Whether a hapless cheerleader or hardened FBI agent, women have played a pivotal role in horror films since King Kong, when the giant ape grabbed tiny Fay Wray in the 1933 black-and-white monster-movie classic. The female lead – often referred to as a Scream Queen – can simply be a victim waiting to be rescued by her male co-star or a fearless fighter of monsters (real and imagined) who is the last standing when all the blood has been spilled.

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