My Favorite Apps

  • Thunderspace – everyone gets really stressed out sometime and when it happens to me, I find it gets really hard to stop my mind from churning and to let my mind quiet enough for sleep. Thunderspace is an app that helps you calm your mind with a selection of white noise like “Roof Garden” which is the sound of wind and rain on a canopy above you. The cool thing about this app is that is is stereophonic so when you listen to it with headphones it feels like the sound is all around you, it also uses your built-in camera flash to create strikes of lightening. FREE
  • Fandango – so I’m a movie buff and I usually catch a movie on the fly, spur of the moment when I’m out and I feel like seeing whatever is out. Here’s something about me, I’m so old that I remember when you could call up a phone number (ON AN ACTUAL PHONE) and a person would tell you the movie times. And oh we thought it was so convenient! But now I can be as anti-social as I want to be and still find out movie times. It finds what you’re looking for by movie title or by theater location, it shows what movies near you are playing soon, lets you buy tickets, and tells you when movies you are waiting for are playing in your area. FREE
  • Perfect 365 – okay, so lets be real for a second, we all want to look good right, especially in our selfies. Well in this app, you can get rid of practically anything that you don’t like about yourself. Yes I know, self acceptance, self love, confidence blah blah blah but come on, we all have something we’d like to change in photos. This app can adjust your skin, brighten your teeth, widen your eyes even add make-up. I use it in every photo I take and I give zero fucks because I look good in real life and even better in pictures. FREE
  • Starbucks – I love me some skinny peppermint mocha lattes with soy, an extra shot of espresso, and hold the foam. YAY! So Starbucks has an app that is worth downloading if you go there with any frequency. Alright so one of the benefits is that you can get rewards like free refills and free drinks, including one on free drink. Also you get the free songs and downloads right into your app. FREE 
  • Urbanspoon – finds restaurants near you dependent on what kind of food you are craving and how much money you have and how much money you have. Great for finding food in a neighborhood you don’t know or when you just HAVE to have Chinese at 10pm… not speaking from past experience.  FREE 
  • Instagram – I mean yeah duh. FREE
  • Monsters Ate My Condo – I have a thing for kaiju (Japanese Gigantic Monsters) like a REALLY have a thing for kaiju. I don’t know if I want to have a kaiju for a pet or a friend or transform myself into a gigantic raging rampaging radioactive unstoppable revenge machine. Anywho. If you need a game to take your mind off of superfluous things like work, taking care of your children or driving (please don’t take me seriously) dl this game. It works like Jenga, you have to swipe the coloured blocks to get 3 of the same colours in a row, you can only feed certain colours to kaiju with the same colours or they will get mad and also you have to swipe fast enough to not topple your condo. Its fun and I’ve been know to get a bit too into this game… $0.99
  • My Fitness Pal – In the past year or so, I’ve been very stagnant with my fitness and health and gained so much that I was at my highest in about 10 years. It was embarrassing, my favorite clothes didn’t fit, I felt ugly. So in my revamped attempt at a healthy lifestyle and slim dream body, I went back to logging my food and exercise everyday… for every meal. It really does help. I can see what I’m eating and its calories and nutrients and I think twice about eating something not so healthy because I don’t want to have to see that on my list. It’s a helpful and it has features like a pedometer that logs your calories you burned while walking around and a community of supportive, encouraging people. FREE 
  • Bloglovin– Obviously I love blogs, but I must have over a hundred blogs that I follow. It can be really overwhelming to visit each one, one after the other and read through old posts and new. With this app (and website) all of your favorite blogs are aggregated together and put together according to when they were published. This makes it easier for people on the go, when you want to read something on your morning commute, its all right there for you. FREE 

Artist Spotlight: Kawaii Dr. Meg Russell

Photo by Deerstalker Pictures
Can you believe its been almost a year since I started working on this blog and then GAVE UP??? Ugh. No one is more disappointed in myself than me. One of the things that I left undone was this wonderful interview I did with a great girl who has made her life about studying the Japanese fashion subculture. Dr. Megan Russell puts her degree to use studying kawaii fashion, Japanese culture and subculture and sociological implications around this fascination side of the world. I asked her a few questions and she gave me some brilliant answers that I wanted to share about a person who has turned her passion into something she can share.

1) What first got you interested in kawaii/Japanese culture?

On my first day at university as an undergraduate, I went to the university bookshop and they had FRUITs [A Japanese street fashion magazine] postcards up on the walls. The style was so colourful, and I loved the classic lolita outfits featured. It appealed to me because I was into romantic goth fashion at the time, and had grown up with kid’s anime (in Australia, the selection of anime was limited to Pokemon, Sailor Moon, Dragon Ball Z etc.) Slowly over the years I started to learn more and more about the fashion!

2) How did you approach the area of study and were you met with any resistance within academia?

My research has gone on  a bit of a journey, and has changed and refined itself over time. Initially my research was about childhood, the construction of innocence and age compression (the idea in our culture that children are exposed to adult things too soon). The blurred lines between symbols of  childhood and adulthood interests me because they reveal the tensions underpinning our cultural understandings of both states. Neither state is “natural,” but is deeply embedded in our culture. Further research revealed that there was a gap in the literature on the reverse process, in which symbols of childhood are celebrated and extended into adulthood culture. Kawaii fashion started out as a potential case study along with others, but my supervisors and panelists were intrigued by the idea so much that we agreed that kawaii fashion was a great topic to research! Especially since little research has been done that respectfully and accurately represents the participants in Tokyo. My approach has refined itself to incorporate gender studies as well, but essentially seeks to find out what kawaii fashion means to participants and the public alike, and how this cute, passive subculture negotiates power. I’ve had little to no resistance in academia because my topic is original, rigorous and theoretically sound. It means a lot to young people and my interviewees.

3) Have you spoken to any members of the Japanese subculture fashion and what are their reactions to your research?

I speak to members of the Japanese subcultures on a daily basis for my research. So far the reaction has been surprise and excitement! I am mostly talking to street models, brand models, designers and bloggers, so they are already interested in the promotion of their subcultures and fashion style. A few of them have blogged about me as well!

4) What do you hope to accomplish with your studies?

I hope to help people come to a better understanding of what kawaii fashion subcultures are, what the style is trying to say and what it means to its participants. I want unpack the complications behind the fashion style, but also give the participants a voice that will be respected. I have found that some of the publications out there aren’t terribly accurate and some of the famous models I’ve interviewed have never been consulted! Also, my research will fill the gap in the literature on passive “feminine” subcultures- that is subcultures that do not actively engage in violence or aggressive behavior, but adopt a visual code that is gentle, cute and seemingly powerless.

5)Are there any things you could share about the impact of subculture fashion with contemporary views on women in society?

One of the most interesting things that has come out of my study so far is the complications around fashion and women’s bodies. Subcultures are a microcosm for society at large, and the literature on subculture engages in lots of interesting ideas around gender. “Masculine” subcultures such as Punk and Goth provide space for men to engage in “feminine” practices, such as wearing makeup, skirts etc as well as exaggerated dress that emphasizes their “masculine” traits. This literature also suggests that in those spaces, women either have to be “masculine” or a sex object. They have to engage with this “masculine” subculture, but cannot shape it. And yet, with kawaii fashion, in which participants engage in hyper-feminine practices such as dolly-style makeup, it is suggested that they are simply reproducing the constraints placed upon them in society. It is read by some as an infantile fetish even. There aren’t many options for women in terms of resistance, unless they cast off their femininity entirely in favour of masculinity. It suggests to me that no matter what is transposed on a woman’s body, it will be sexualised or objectified. In this sense, think the concepts kawaii fashion subculturalists have to negotiate have implications for our understanding of what it means to be a woman.

6) Do you feel that participating in subculture fashion is a way of getting more authentic findings in your research?

I was a subculturalist well before the research started. While adopting the attire and approach of your field is common in ethnography, my style isn’t staged or fake. I do believe that my age, gender and fashion style puts me in one of the best positions to negotiate my field on the ground in Tokyo though. I hear and see a lot of things that other researchers might not, because I blend in and am approachable. Participants feel safer talking to me seeing that there is a chance that I will understand them, and am not just a suit with a clipboard here to judge them. Plus my prior knowledge of kawaii fashion and my 24/7 immersion in the culture allows me to pick up nuances in dress in a way other researchers might not be able to. That said, I am a researcher above anything else, and I feel it’s important to distance yourself at times to get an objective perspective.

7) Do you plan on publishing a book or going on tour to make speeches about kawaii culture?

Yes, I hope to publish at least one book, have some conference papers planned for next year, as well as some academic journal articles! My main goal at the moment is to complete my thesis of course (80,000 words) so I can be awarded my PhD!

8) What do you think is the future of kawaii fashion and culture in the west?

It’s hard to say at this point. I think kawaii fashion will only get bigger overseas. Ambassador’s such as Misako strive to make kawaii fashion a household term so it might get to the point where everyone knows what it is, just like how most people know what goth style is. But that will come at a price, I think. Maybe one day we will have a kawaii equivalent to Hot Topic!

9) Do you have any messages to fans of kawaii culture who may also want to go into study?

Good on you! Research is hard work, but do what you love! I think the number one piece of advice I would give is interview people in your field! Go to Harajuku! So many armchair researchers out there, we need more people on the ground!

10) Could you tell us about any plans or projects that you are currently working on?

At the moment my main project is my field work in Harajuku. More information is on


Annie Lennox and the Problems with White Feminists

Recently, as I was getting ready for work, an episode of The View was on TV playing in the background. For those not familiar with it, The View is a show with a panel of women who discuss different current topics. On this particular episode the guest was one of my favorite performers, Annie Lennox. I had my back to the TV as I was doing my makeup and picking out jewelry, but I stopped in my tracks and began to pay more attention when I heard Annie talk about a very important and personal issue. That issue is Beyoncé.

According to Annie Lennox, one cannot be overt in your public displays of sexuality and still think of oneself as a feminist. Certainly for a very long time the argument has been made that in order to be a “good feminist” you must be strong, take charge, intelligent, and also on the asexual side. Sexuality has been defined by the terms of patriarchy and is used as a way of controlling women and also abusing women, it is not a tool that has the same benefits to women as it does men. Shaking your ass on TV benefits men and disenfranchises women who will be seen as “loose” or “slutty”. This was certainly the view of feminist during the time Annie Lennox was growing up in what scholars call the 3rd Wave.

But, we are now in the 4th Wave, an inclusive period of redefining what feminism looks like and also who gets to call whom a feminist. Part of my problem is that up until now the main voices on what is feminism has been white women, like Annie, who speak for the movement at large. The voices of minorities, trans women, poor women, queer women, immigrant women have never been part of the dialogue, but that has changed. Now you can’t say you are having a balanced conversation about feminism with only white women, because there is an understanding about representation, no one person can represent all views, needs and experiences. So when Annie sits on television and tells Beyonce, who has made immense success in a world where there are so few black women making it as far as she has. The opportunities for black women are much less that white women, and yet there she is and she has done that all while dressed in little more than a leotard and still twerks her way to the bank. She has become a feminist icon because of the fact that she is successful on her own terms, supporting women & their accomplishments, but also the inherent beauty of her feminine form and the power and strength she has in her own body. That is what is empowering and liberating to her, to be able to express herself in the context of her culture and what she envisions for herself. And that’s pretty fucking feminist.


My feelings can be summed up by the commentary from Segun Oduolowu on the Wendy Williams show. He, much to my surprise and relief, seems to have a firmer grasp on the concept and ideals of feminism that the women sitting next to him. He stands for the concepts that black feminism and 4th wave feminist are trying to explain.