RE-ROUTING THE HORRIFIC & THE BLACK SUBJECT IN FILM WITH DIANCA LONDON POTTS

Black horror. An entity of its own, mattering the pulse of the film industry specific for this conversation, is undeniably revolutionary. Its launching pad for the world, where more eyes are fixated on it now more than ever is Get Out (2017). A film that has shattered records financially, critically, and further, in prestigious recognition and beyond, writer Dianca London reminds us that writer/director Jordan Peele created a film that flawlessly “tears the veil between the reality of blackness and how it is imagined through the gaze of whiteness.” Get Out, a black horror film is a worldwide success that refuses the white gaze by not only centering its Black protagonist Chris (Daniel Kaluuya), but canonizing him as an example of black survival in confronting a white supremacist society.

Dianca’s exemplary analysis makes her an exciting, sobering voice in pop culture criticism. This Bucks County, Pennsylvania dropout now Brooklyn inhabitor has made her way through The New School, Arcadia University, even Christian formal school and out as a scribe for the Village Voice and many more recognizable publications if you spend a lot of time on the internet learning new things. Her candid expressions are an opus of honest declarations that she backs with oodles of historical receipts. With equal enthusiasm, she is also the online editor for Well-Read Black Girl, a book club that celebrates the literary acheivements of women throughout the African diaspora. Her forthcoming memoir, Planning for the Apocalypse: Meditations on Faith and Being the Only Black Girl at Your Party has officially moved to number one of my must-read’s for 2018.

Before her presentation/lecture, Black Horror: The Revolutionary Act of Subverting the White Gaze for the Miskatonic Institute of Horror Studies in Brooklyn, New York, Dianca mapped the path of her reverence for the genre, starting as a tender-aged fan covering her eyes during most of Beetlejuice (1988), towards the genre book and television options in the next decade. “As a child of the ‘90s, I was really lucky to come of age at a moment where pop culture was filled with so many horror narratives. The Nightmare Before Christmas was also a milestone for me. After my dad took me to see it in theatres, all I wanted was to watch more movies like it. Thankfully, I had Goosebumps books to binge read and snuck episodes of Are You Afraid of the Dark?, which gave me nightmares, but I refused to stop watching.

Read More – RE-ROUTING THE HORRIFIC & THE BLACK SUBJECT IN FILM WITH DIANCA LONDON POTTS – Graveyardshiftsisters.com

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